This little microphone has a natural, detailed and balanced response. Perfect for natural reproduction of acoustical instruments such as members of the bowed and plucked string-families, grand piano, brass, percussion, overhead choir and voice -with a minimum of coloration. The response is rather smooth and flat even at an angle!The CM3 is tough enough to handle drums with full depth and punch, drum overhead clearly and crisp without strain. It also handles amplified instruments well. -A true all-round microphone!It's suitable for professional studio and PA use, with a price tag at the hobbyist level!It's very small size (about the same as a normal XLR plug) makes it easy to place, without being in the way. Its size and black colour makes it close to invisible on stage. Delivered with foam windshield and microphone holder (clip).

Ideal for group vocals, strings, cymbal overheads, acoustic guitar and piano, the omni pattern provides maximum ambient pickup. This mic offers extremely smooth, extended response on- and off-axis, with low sensitivity to popping and overload. Also named AT8010.

A side-address small-diaphragm design intended to solve many microphone placement problems, particularly with acoustic instruments. The capsule is a fixed backplate electret design. The design has an extended frequency response and very high SPL capability. The body is all-metal to provide a rugged microphone for heavy stage use.

The PRO 37R provides professional accuracy for studio recording and is ideal for acoustic guitar, overheads, reeds, brass, piano and more. Its low-mass element provides superb transient response and it delivers undistorted output even when used close to high-SPL instruments. It offers an extremely uniform cardioid polar pattern and extended response.

For more information on this range of microphones, visit the brand website.

An RF condenser microphone using a symmetrical capsule. It has a transformerless, fully-floating balanced output. Switchable pre-attenuation and proximity effect roll-off filter are provided. The MKH30 is widely used for the S component of an MS pair both in studio and location conditions. The low-impedance capsule design makes it virtually immune to high humidity and condensation. (Rycote accessory listing is for MS stereo pairing with MKH40 or 50)

For more information on this specific microphone, visit the brand website.

For more information on this specific microphone, visit the brand website.

For more information on this specific microphone, visit the brand website.

For more information on this specific microphone, visit the brand website.

For more information on this specific microphone, go to Neumanns website at http://neumannusa.com.

The capsules of condenser microphones (the only type which SCHOEPS manufactures) can't be connected directly to microphone cables or inputs; a microphone amplifier is required in between. Thus a complete microphone of the Colette series comprises any of the twenty available types of capsules combined with an amplifier. The CMC 6 Ug is designed for standard 48- and 12-Volt phantom powering. Its circuitry recognises the supply voltage and adjusts itself automatically. Its performance characteristics remain essentially the same either way; mainly, the difference is that the current drawn at 12 Volts is greater than at 48 Volts. However, the 12-Volt mode consumes less power and might be preferred for battery-powered recording.